Trying
to find
something
better

The phrase "Trying to find something better" encompasses a range of objectives. The word "Trying" releases us from the pressure of achieving, highlighting that the act of seeking is meaningful in itself. "To find" implies the presence of something missing in the current context, potentially misplaced but existing, though not immediately apparent. "Something better" remains an ambiguous, conceptual notion, still devoid of a distinct form, yet aspiring to become more efficient and harboring the potential for opportunities.

In 2020, multi-disciplinary artist Gerome Soriano began recounting his artistic process. This research venture involved collaborations with Curare Art Space, curators, creators, and cultural workers for a reflexive review of techniques, processes, inspirations, and considerations by which the artist finds placement in today’s hyper-rational world, where political, social, economic, and esoteric pursuits have borne cold, distant, and intellectually arrogant communities, including in the artworld. The result, three years later, is this exhibition, supplemented by an online component at www.curareartspace.com. Trying to find something better presents an outlook, a perspective of formulating "statements of possibilities" instead of finding definitive answers to unending questions. Inspired by metamodernism, wholesome internet culture, and the Age of Reenchantment, Soriano’s search for a philosophy and view of life has brought him to an ongoing appreciation and exploration of joy and meaning. 

Borrowing words, icons, symbols, and images associated with healing and recovery from sources that span from spiritual practices to mobile games, Soriano effectively stitches pieces of intention and energy and presents them as scrolls or banners that emit a sense of encoded well-being in the immediate space. Painted canvases formed as sculptural flowers in bloom create a foliage around the gallery, allowing for the space’s structural and conceptual bendability. Tensegrity sculptures from previous exhibitions are also represented–mostly found objects from home and the artist’s locality–objects trying to find harmony with each component's mechanized tensions, weights, and integrities. Finally, publications including a selected book of paintings from the artists’ archive, and a mind-map of thoughts throughout the project reveal Soriano’s openness to articulate and explore possibilities and potentials, and transcend his own autocritique.

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Trying to find something better seeks to grasp and activate the possibilities for transformation, not in opposition to any existing narrative, but as an appeal for "care" in the increasingly disenchanting contemporaneity. The experimental adoption of the existing systems to advance the artist's hopes endeavors, regardless of the outcome, to introduce potentiality, brimming with the hope of achieving "something better."  (John Alexis Balaguer)